I am always taken aback when I remember that Elizabeth George is American. She seems (to my American but Anglophilic mind) very tuned in to British speech patterns, class structures, and cultures. This is important in the Lynley series (for lack of a better name), because it’s incredibly multi-cultural, multi-class, and British.
Take, for example, In the Presence of the Enemy. The mystery itself (the kidnapping of a MP’s daughter) is incredibly grounded in British politics – not necessarily contemporary British politics in a way that would make it seem dated in just a couple of months (although the IRA does merit a mention) – but in the way British politics work. The main conflict (apart from, you know, the kidnapping) is the relationship between politicians and the press: how very biased (and proudly so) certain newspapers are, the way that issues that have nothing to do with policy can bring down a career or a Government. It’s particularly resonant now, as the fallout from the Murdoch/News of the World scandal continues. The newspapers in the book may not have tapped people’s phones or knowingly interfered with a police investigation (that still makes me so sick, in real life), but they don’t see their subjects as human, and personal considerations are not given as much weight as trying to promote scandal (the more sex-related, the better).
The devastating part of In the Presence of the Enemy is the resolution of the case. The kidnapper/murderer is caught, of course, but the whole thing was based around a misunderstanding and a lie. It’s so incredibly unnecessary, and pathetic in its delusion. It also brings me back to one of my main tenets in life: You are not doing something FOR someone when they have NEVER ASKED YOU TO DO IT. Don’t break up with your girlfriend “for” someone. Don’t change yourself “for” someone. And for the love of God, DO NOT KIDNAP AND MURDER SOMEONE “FOR” SOMEONE ELSE.
With No One As Witness is just as devastating, but while the case is horrific and sad (serial killings of primarily mixed-race boys), the truly heartbreaking part has nothing to do with the case: it’s the shooting of Lynley’s wife. Elizabeth George does an absolutely amazing job of portraying Lynley’s devastation, heartbreak, and paralysis in the face of catastrophe. He has to make an impossible choice, and you just know that he’ll never completely recover from it. And Havers and Nkata are partially there with him, not knowing what to do with themselves or for him, but also knowing that the case has to be solved, that the rest of the world isn’t put on hold. And the case is solved, Havers saves the day, but nothing will ever be right again.
I have two more Elizabeth George books on my shelves: A Great Deliverance, which is the first Lynley book, and Careless in Red, the follow-on from With No One As Witness. (It’s not the next one in that world; that’s What Came Before He Shot Her, which follows the 12-year-old shooter in the days leading up to it, and which I should probably read at some point since one of the secondary characters is named Kendra, but right now I don’t want him to be humanised, I just want to mourn for Helen. Yes, I know she is fictional. Shut up. Anyway, Careless in Red is the next one to feature Lynley.) I have read most of the others at various points in my life, but sometime (possibly soon) I’ll want to reread most of them to remember the personal backstories of everyone, beyond the recaps that are so smoothly incorporated for new readers.