Cornelia Funke is a fantastic children’s fantasy writer. The Inkheart trilogy was a fairly brilliant double story (the story in Inkheart and the story of Mo and his family), so I was expecting great things from The Thief Lord.
It’s not the tightest story in the world, but for some reason I couldn’t put it down. There are different threads that don’t always quite mesh together, but the kids – the main characters – are wonderful. The fringe characters are a bit broad, almost to the point of caricature – which was distracting when the first character you really meet is a villain who is so unremittingly bad that I kept expecting her to be revealed as an literal witch or something like that (who then vanishes for most of the book, until she’s needed again to create tension).
Like I said above, there are different threads in the book. There’s the story of the two brothers, Prosper and Bo, who don’t want to be separated. Their thread runs through the whole book. It occasionally is more prominent than at other times, but it is always present. Then there is the story of the gang – a group of homeless, abandoned children (which sounds more pathetic than it is) who are led, in a way, by one who calls himself the Thief Lord. They in turn mix in with the thread of the magical merry-go-round, which is one of the turning points of the book but isn’t even mentioned until at least halfway through. There are also vague subsubthreads that feature the adults – the detective searching for the brothers and the fence who buys the children’s stolen goods. And Scipio, the Thief Lord, has his own thread that appears and weaves in about halfway through as well.
All the threads merge together by the end, sort of, but the book as a whole never quite gels properly – and I kept waiting for it to. The ideas are all there, and all interesting, but because there are so many of them, it bounces back and forth, and I was waiting for things to happen, things to get explained, or things to resolve that never quite did. I think it just suffers from too many stories to tell. The magical merry-go-round was kind of overkill. I know what she was trying to do with it, but I think that was the thread that, for me, pushed the story over the top. There was plenty to deal with in the stories of all the children, who had been abandoned in a variety of ways, without adding the merry-go-round to it, even if the merry-go-round is what tilted the world into fantasy. Don’t get me wrong, I think the magical merry-go-round was a fantastic idea; I just think it was overkill in this particular book.
But, at the same time, I couldn’t put it down. I wanted to know what would happen to the kids; if Prosper and Bo would be able to stay together; what the detective was going to do about them. It was a fairly quick read (it took me two days of inconsistent reading to get through – so only a couple of hours, really), and in general I like Cornelia Funke and whoever translates her from the German. It wasn’t as good as the Inkheart trilogy – especially not the first book – but it wasn’t a waste of time, either.